There is a level of austerity associated with anime films that separate them from the series. There’s a much smaller group of voices going out animated feature films, but it led to some amazing writers coming out of the process. There is only a fraction of anime movies that come out each year compared to the number of series that come out, which also turns each anime movie into a much bigger event.
It’s easy for high expectations to be built on some animated films and most of the time those projects carry on and are satisfying, but there are also occasions where those cinematic efforts pale in comparison to what the fandom was looking for.
ten Blood: The Last Vampire doesn’t draw fresh blood from its premise
There are a lot of overdone topics in anime and vampires are definitely pretty trodden territory at this point. There isn’t much new to say on the subject of hybrid vampire hunters and often what sets a project apart will be the level of precision applied to the action sequences and the violence.
Blood: The Last Vampire is produced by Production IG, which generally does a solid job, but that effort fails. Animation and action are lackluster and Blood: The Last Vampire becomes a forgettable vampire function.
9 Gintama: the film wastes a major opportunity
Gintama is a rare exception to an animated series that somehow stays consistent and improves even in its 350+ installments. There are three Gintama animated films, the latter of which acts as the high resolution of the series.
The first effort, Gintama: the movie, is just a retelling of the Benizakura arc from the anime and besides a nice intro and conclusion, it’s recycled content. Gintama: the movie works as a great catwalk tool for someone who’s never seen the series, but dedicated fans who anticipated this cinematic effort were somewhat disappointed with the repurposed material.
8 The cat’s return defies expectations set in Whisper of the Heart
The Cat Returns is a surprisingly deep story about independence and freedom, courtesy of Studio Ghibli. The film takes a look at a fable-like tale where a girl named Haru rescues a road-killed cat, only to learn that he’s a mystical cat prince that she is now engaged to marry in the cat kingdom.
The return of the cat is a good movie, but it also works as a Ghibli spin-off Whisper of the heart, which raised unreasonable expectations. The return of the cat is a very different kind of story, but still a satisfying evolution of Heart murmur world.
7 Ponyo falls short of what the public expects from Miyazaki
Ponyo is a brilliant film that, on any metric, should be considered a success, but the problem is, Hayao Miyazaki’s work is so groundbreaking and cohesive that unrealistic expectations are set for his upcoming projects. Ponyo is a moving story about Ponyo, a goldfish princess who longs to live on the surface instead of the sea, with dramatic repercussions accompanying this decision.
Ponyo is a delight, but it is reminiscent of Miyazaki’s past works and is generic in fairy tale style. It is nuanced work that the public did not expect at the time.
6 Dragon Ball Super: Broly is a shallow swan song
The Dragon ball The series has an interesting reputation with its feature-length content, which has long been viewed as non-canon supplemental material. Dragon Ball Super: Broly marks a change of pace and it’s specially designed to bring Broly, an old-only cinematic character, into Dragon ball super continuity.
In this regard, Dragon Ball Super: Broly satisfied, but it’s still very in numbers Dragon ball feature that works well now, but is relatively empty in retrospect. The film also loses a bit of impact since the previous one Battle of the gods and Resurrection ‘F’ have already thrilled the public.
5 Trigun: Badlands Rumble spoils the return of a legendary character
Trigoun is an excellent animated series from the 90s that effectively balances action with a touching melodrama through a excellent protagonist, Vash the Stampede. 12 years after the anime’s conclusion, a follow-up film was announced, Trigun: Badlands Rumble.
After a decade without Trigoun content, there was a lot of anticipation on this movie. Rumble of the Badlands is fixed before the end of the Trigoun anime, which forces the story to be mostly filler. Vash and his company embark on a reckless hunt for a dangerous bounty hunter. It’s fun getting the gang together, but it’s a largely forgettable comeback for Trigoun.
4 Children Who Chase Lost Voices recycles Makoto Shinkai’s greatest hits
Makoto Shinkai is an absolute master of storytelling. Children who chase lost voices in this regard is far from a bad movie, but it is the sequel to Shinkai to 5 centimeters per second, which was so acclaimed that it inevitably created public disappointment.
Children who chase lost voices lwatch a girl who is transported to a mystical world thanks to a crystal radio. It sounds amazing, but the the story seems to be derived from the past works of Shinkai and the characters are relatively superficial, even if that is the intention. It is a film that becomes imperfect in the larger context of Shinkai’s filmography.
3 Digimon Adventure: Last Evolution Kizuna ruins his reunion
The Digimon the franchise has existed in many different iterations, but the greatest amount of affection is reserved for the characters and story of the original first two Digimon Adventure series. Digimon Adventure: Latest Kizuna Evolution embarks on the reunion / sequel trend and uses the title anniversary to deliver one final adventure with the original characters.
Latest Kizuna feels bloated and uneventful, but at least it’s better than Digimon Adventure tri., which apparently does the exact same thing. There is nostalgia to be enjoyed, but for a second attempt at this story, it still fails.
2 Ghost In The Shell 2: Innocence Delivers Shallow Story For Big Sequel
Ghost in the Shell 2: Innocence was released in 2004, almost a decade after the original film and expectations were high for Mamoru Oshii’s cyberpunk sequel. The original feature film is a masterpiece and the sequel is beautiful and raises some fascinating ideas, but it’s a pretty shallow story compared to its predecessor.
The story of sex robots who rebel against their masters is also not so original. As a little consolation, there is still Ghost in the shell projects that continue to occur in the form of series and films and therefore the universe is alive and well and continues to take risks.
1 Evangelion: 3.0 You can’t (not) redo throw the script and it’s broken
Neon Genesis Evangelion is one of the toughest anime series ever and Hideaki Anno’s quartet Rebuild movies have sort of become an even bigger topic of discussion. These films were designed to recount the events of the series into four condensed feature films, but the stories began to deviate widely from the source material.
The third installment, You can’t redo is the most egregious offender here and although his decisions may be justified in the highly anticipated Evangelion 3.0 + 1.0, the majority of fans were disappointed with his bold and confusing new direction.
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